Canadian Art: A Year in NDN Art

Featured Image: Still From Dayna Danger’s Bebeschwendaam

For me, in 2018, Janelle Monáe was big praxis. For me, 2018 could be summed up by the aforementioned comment by Monáe. Monáe and I are part of a generation of queer and trans fem creators who are sick of working within industry structures of scarcity and cruelty—who just want to make work for the people they love, to ensure those peoples see their own future in cultural objects.

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